Mark Jenkins
Mark Jenkins reviews movies for NPR.org, as well as for reeldc.com, which covers the Washington, D.C., film scene with an emphasis on art, foreign and repertory cinema.
Jenkins spent most of his career in the industry once known as newspapers, working as an editor, writer, art director, graphic artist and circulation director, among other things, for various papers that are now dead or close to it.
He covers popular and semi-popular music for The Washington Post, Blurt, Time Out New York, and the newsmagazine show Metro Connection, which airs on member station WAMU-FM.
Jenkins is co-author, with Mark Andersen, of Dance of Days: Two Decades of Punk in the Nation's Capital. At one time or another, he has written about music for Rolling Stone, Slate, and NPR's All Things Considered, among other outlets.
He has also written about architecture and urbanism for various publications, and is a writer and consulting editor for the Time Out travel guide to Washington. He lives in Washington.
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Writer/director Susanna Nicchiarelli's scrappy biopic, which features a standout performance from Danish actress Trine Dyrholm, examines the final days of the '60s icon's life.
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Once a year, for 51 years, residents of the Tuscan hamlet Monticchielo have staged a play about their lives. A new documentary finds the town's younger generation is losing interest in the practice.
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Italian filmmaker Nanni Moretti's latest is a charming, heartfelt and slyly satirical meditation on cinema — which exists at the crossroads of fantasy and reality — and the loss of a parent.
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Writer-director Paolo Sorrentino creates a world of incidents and asides in a Swiss spa hotel, where pals played by Michael Caine and Harvey Keitel like to get away from it all.
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Zac Efron is little more than a good-looking void in this story of dance music in the San Fernando Valley, but the film is intermittently engaging as a medley of themes and genres.
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Steve Carell, Mark Ruffalo and Channing Tatum star in a bizarre tale of wrestling, wealth and talking very slowly while surrounded by mist.
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In a semi-sequel to 2006's 300, a naval battle between the Greeks and Persians gets the over-the-top CGI treatment.
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David Fincher's English-language The Girl with the Dragon Tattoo is less a reinterpretation than a reiteration — a classier, more expensive version of the lurid Swedish film that came before it.