Tuning in with Amanda Sewell

As IPR transitions its music library from physical CDs to digital music files, we're living and reliving a lot of the history that exists in that music library.

Public media services around the country are removing classical music from their daily radio broadcasts. It's a tough but understandable choice.

The Metropolitan Opera's audiences are getting younger and attending more operas by living composers. What does that mean for classical music as an institution?

For over 250 years, everyone from local choirs to Leonard Bernstein to radio stations to Handel himself has adapted "Messiah" to fit their needs and preferences.

The distance between “popular” and “classical” music isn’t nearly as spacious as some people wish it was.

Is a great recorded performance a good enough reason to continue to broadcast music featuring a person who has done harm to others?

Summer residents say they wish they could listen to Classical IPR all year. So why don't they stream us?

How does Classical IPR, a small local radio station in the woods of northern Michigan, compete against an entire world of other music services?