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As IPR transitions its music library from physical CDs to digital music files, we're living and reliving a lot of the history that exists in that music library.
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Public media services around the country are removing classical music from their daily radio broadcasts. It's a tough but understandable choice.
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The Metropolitan Opera's audiences are getting younger and attending more operas by living composers. What does that mean for classical music as an institution?
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For over 250 years, everyone from local choirs to Leonard Bernstein to radio stations to Handel himself has adapted "Messiah" to fit their needs and preferences.
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The distance between “popular” and “classical” music isn’t nearly as spacious as some people wish it was.
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Is a great recorded performance a good enough reason to continue to broadcast music featuring a person who has done harm to others?
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Summer residents say they wish they could listen to Classical IPR all year. So why don't they stream us?
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How does Classical IPR, a small local radio station in the woods of northern Michigan, compete against an entire world of other music services?