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Morgan Springer

TCAPS plans to return to in-person learning this fall, but first two weeks start online

Traverse City Area Public Schools will offer in-person instruction for students this fall, but the first two weeks of school will happen online.

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Morgan Springer

Traverse City Area Public Schools will offer in-person instruction for students this fall, but the first two weeks of school will happen online.

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Repose is an hour of beautiful and relaxing music. You can hear it every weeknight at 10 p.m. on Classical IPR, with new episodes every Saturday at 10 p.m.

 

Monday Ep080405

Peter Kater - Ascent

David Lanz - A Whiter Shade of Pale

Jeanette Alexander - The Road to Caernarvon  

Autumn's Child - Row of White Trees

Jeffrey Michael - Indigo Falls

This week as the Perseid Meteor Shower achieves its peak, I imagine that the thrill of seeing a falling star and making wishes comes from a deep soul memory of being in the presence of the divine, which was understood in former times as the presence of the “hidden god.”

Flickr user Quinn Dombrowski

 

A network of fast-charging stations for electric vehicles is coming to northern Michigan over the next year, thanks to $1.7 million in grants from the state.

The initiative, which will bring charging stations to small metropolitan areas like Traverse City as well as rural communities, comes from the Department of Environment, Great Lakes, and Energy, as part of a plan to build up electric vehicle infrastructure throughout the state.

Great Lakes Concerts: August 10, 2020

Aug 9, 2020
NOAA

Great Lakes Concerts is a co-production of Interlochen Public Radio, WKAR and WRCJ. Listen every Monday at 6 p.m. on Classical IPR.

This week's playlist:

 

Ludwig van Beethoven: "Egmont" Overture, Op. 84
Traverse Symphony Orchestra
Kevin Rhodes, conductor
(Recorded February 17, 2019, Corson Auditorium, Interlochen)

Peter Tchaikovsky: Symphony No. 6 in b minor, Op. 74, "Pathetique"
Lansing Symphony Orchestra
Timothy Muffitt, conductor
(recorded March 30th, 2019 at Wharton Center)

GAMEPLAY: Breath of the Wild

Aug 8, 2020
By Source, Fair use: Wikipedia entry

  On GAMEPLAY this week, we’re going to explore the innovative, spacious, and eclectic soundtrack to the Legend of Zelda: Breath of the Wild, a 2017 game release whose original score pays homage to themes from 30 years of series history, while taking the sound of the Zelda franchise in a fresh, new direction.

Featured on today's program were the Hungarian Dances by Johannes Brahams.  A set of 21 pieces composed originally for piano, four hands, they are based on Hungarian themes.  

1.      George Frederick Handel, Concerto Grosso No. 11, Boston Baroque, Martin Pearlman

2.     Antonin Dvorak, O Silver Moon from Rusalka, Renee Fleming, London Symphony Orchestra, Sir Georg Solti

3.     Philip Sparke, Strathcarron-Sword Dance from Hymn of the Highlands, Brass Band Froschl Hall, Hannes Buchegger

Interlochen Center for the Arts

In 1977, Interlochen Center for the Arts celebrated its 50th camp season.

A World Youth Symphony Orchestra concert on August 7 featured guest conductor Howard Hanson.

Hanson had conducted student orchestras at Interlochen since the camp's first summer in 1928. 

Ellie Harold’s migration inspired art installation, “Birds Fly In: A Human Refuge,” is on display at the Oliver Art Center in Frankfort through Sept. 11, 2020.
Diane Frederick

In 2017, artist Ellie Harold was stuck in traffic in Atlanta. There was road rage all around her, and she started feeling it bubble up inside of her too. She asked herself, “Wouldn’t it be great if people could just have a place to go for a time out?”


On Monday, August 10, the nationally syndicated program Performance Today will feature music performed and recorded at Interlochen Center for the Arts.

Tune in during the 11 a.m. hour of the program to hear pianist Wu Han and violinist Alexander Sitkovetsky perform Souvenir d'un lieu cher by Peter Ilyich Tchaikovsky. The performance was from a recent recital they and colleagues from the Chamber Music Society of Lincoln Center presented in the Dendrinos Chapel and Recital Hall.

Michael Culler engineered the recording.

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