Jeff Lunden

Jeff Lunden is a freelance arts reporter and producer whose stories have been heard on NPR's Morning Edition, All Things Considered and Weekend Edition, as well as on other public radio programs.

Lunden contributed several segments to the Peabody Award-winning series The NPR 100, and was producer of the NPR Music series Discoveries at Walt Disney Concert Hall, hosted by Renee Montagne. He has produced more than a dozen documentaries on musical theater and Tin Pan Alley for NPR — most recently A Place for Us: Fifty Years of West Side Story.

Other documentaries have profiled George and Ira Gershwin, Stephen Sondheim, Richard Rodgers, Oscar Hammerstein, Lorenz Hart, Harold Arlen and Jule Styne. Lunden has won several awards, including the Gold Medal from the New York Festival International Radio Broadcasting Awards and a CPB Award.

Lunden is also a theater composer. He wrote the score for the musical adaptation of Arthur Kopit's Wings (book and lyrics by Arthur Perlman), which won the 1994 Lucille Lortel Award for Outstanding Off-Broadway Musical. Other works include Another Midsummer Night, Once on a Summer's Day and adaptations of The Little Prince and The Adventures of Huckleberry Finn for Theatreworks/USA.

Lunden is currently working with Perlman on an adaptation of Swift as Desire, a novel of magic realism from Like Water for Chocolate author Laura Esquivel. He lives in Brooklyn, N.Y.

Trustees of the American Federation of Musicians and Employers' Pension Fund (AFM-EPF) announced the evening of May 24 that they will apply to the U.S. Treasury for a reduction in member benefits, due to the AFM-EPF's "critical and declining" status – meaning the fund is projected to run out of money in 20 years. The AFM represents 80,000 professionals in the United States and Canada who play in symphony orchestras and opera houses, on Broadway, in film and television, and on studio recordings.

The 2018-2019 Broadway season hurtled to a close, with 14 plays and musicals opening in March and April, before the Tony Award nominations were announced on Tuesday morning. And some of the late entries into the race were handsomely rewarded.

Pulitzer Prize-winning composer Dominick Argento died on Wednesday in Minneapolis, Minn., after a short illness; his death was announced by his family He was 91. Argento was best known for his lyrical and astringent music for the human voice – he wrote 13 operas, as well as song cycles and choral works. As he told the late Mary Ann Feldman in a 2002 interview, "My interest is people. I am committed to working with characters, feelings and emotions."

Two of the country's oldest and most venerated music institutions, the New York Philharmonic and the Metropolitan Opera, are beginning their seasons with a change in artistic leadership. Both organizations are grappling with 21st century issues of bringing new audiences in and convincing them that centuries-old music forms are central to their lives today.

Aug. 25, 2018 marks the centennial of Leonard Bernstein's birth. He was a singular American talent and one of the great orchestra conductors of his generation. He was also a composer of symphonies, ballets and hit musicals, a teacher, a television personality and a complicated man with a complicated personal life.

Composer and conductor Oliver Knussen, one of Britain's most influential contemporary classical figures, died Sunday, July 8, at the age of 66. His passing was announced by his publisher, Faber Music, but no cause of death was given.

Knussen was born in Glasgow, Scotland, and grew up in London, where his father was principal double bass for the London Symphony Orchestra. Knussen conducted his first symphony with the ensemble when he was just 15.

Editor's note: This story includes language that some may find offensive.

It was 1968. But playwright Mart Crowley felt he had to write what he knew.

"Nobody wanted the play," Crowley says. "Not even agents wanted to look at this play. They just thought it was pornographic and it was outrageous."

What he wrote in The Boys in the Band was a thinly veiled slice of autobiographical fiction. A group of gay friends gather for a raucous birthday party; by the end of the evening, secrets are spilled, tears are shed.

One of the oldest and most distinguished Spanish language theaters in the U.S. is housed in a converted Manhattan brownstone. "It started actually as a private house," explains Robert Federico, executive producer of Repertorio Español.

The space is tiny — rickety wooden stairs lead backstage and small props are stored in the hallway. The sets are designed to be stashed flush against walls behind black curtains.

The most expensive play in Broadway history opened Sunday night. Harry Potter and the Cursed Child cost $33.5 million, runs five and a half hours long (in two parts), and has gotten rave reviews. But while it has plenty of special effects, it's actually designed for audiences to use their imagination.

Sing Sing Correctional Facility is not the sort of place you'd expect to find a flourishing music community, but a workshop run by Carnegie Hall offers inmates the ability to learn in harmony. Twice a month, artists from New York City travel to Sing Sing and spend a day giving 30 inmates enrolled in the Musical Connections program formal training.

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Several years ago, Claire van Kampen was composing music for a London theater production. During a break, one of the singers asked her if she knew the story of Farinelli, the famous 18th century opera singer.

"'You'd really like the bit where he goes to Spain and sings to King Phillipe who has this bipolar disorder.' And then I started to think: Now that's an interesting story that I haven't heard about, seen."

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When songwriter David Yazbek, whose mother is Jewish and father Lebanese, decided to write a musical that fused his two cultural backgrounds, he knew he didn't want it to be about tribal conflict.

His new Broadway show, The Band's Visit, attempts to do something that seems almost unfashionable: look at two historically antagonistic cultures and tell a story about their commonality.

The Hebrew Psalms have inspired composers for thousands of years.

Now, New York's Lincoln Center is presenting The Psalms Experience, a festival of choral settings of all 150 Psalms by 150 different composers. It includes nine U.S. premieres.

We Shall Not Be Moved is a new opera that takes its name from both the old spiritual-turned-civil-rights anthem and the Philadelphia black liberation group, MOVE. That group might be best-remembered for a 1985 tragedy: A police helicopter bombed the MOVE house, and the resulting fire killed 11 people and destroyed 62 homes in the neighborhood.

The opera, presented by Opera Philadelphia with the Apollo Theater, had its world premiere Sept. 16. It revisits that house and its ghosts, while remaining centered on stories about young people in Philadelphia today.

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One of the ingredients a successful Broadway show needs is a talented cast. That starts with talented casting directors, the people who can see a Tony-winning star in the making, say, when a performer walks into an audition as a college student named Audra McDonald.

Tony Award-winning composer John Kander has a favorite story about Broadway producer and director Harold Prince: In 1965, he and lyricist Fred Ebb were working on a show that Prince produced called Flora, The Red Menace and it was not going well.

Tony Award-winning actress and singer Barbara Cook, an ingénue in Broadway's Golden Age — during the 1950s and '60s — who later transformed herself into a concert and cabaret star, has died. She was 89.

Cook died early Tuesday of respiratory failure, surrounded by friends and family at her home in Manhattan, according to her publicist.

Russian, American and French ballet dancers are gathering Thursday night for a bit of cultural diplomacy at New York City's Lincoln Center. They're celebrating the 50th anniversary of George Balanchine's masterpiece Jewels, considered the first full-length, nonnarrative ballet.

For generations of children, the Eloise book series is a favorite. It tells the story of a 6-year old troublemaker who lives at New York's Plaza Hotel. Now "Eloise at the Museum," an exhibition at the New York Historical Society, looks at the creators of the series: author Kay Thompson, who died in 1998, and illustrator Hilary Knight, who's now 90.

Pulitzer Prize-winning playwright Edward Albee has been in the news a lot lately. Albee died in 2016, and since then his estate has turned down a multi-racial production of Who's Afraid of Virginia Woolf? and put his contemporary art collection up for auction for an estimated $9 million.

Ignorance is Strength, War is Peace, Freedom is Slavery, Big Brother is Watching: 1984 has come to Broadway. George Orwell's dystopian novel tells the story of a man who works at the Ministry of Truth creating fake news for a totalitarian regime. The stage adaptation opens in New York on Friday.

After a recent performance of 1984, Dorit Friedman, a doctor from Great Neck, N.Y., says she was stuck by how contemporary the story feels. "Big Brother is watching us, that's for sure ..." she says. "Little did we know that that was going to be reality."

Lillian Hellman's 1939 melodrama The Little Foxes has two great roles for actresses over the age of 40. Laura Linney and Cynthia Nixon fill those roles in a new revival on Broadway ... but with one big twist: Linney and Nixon play both roles and switch off at different performances.

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