Welcome to "Intermezzo" — where we take a few minutes to bounce some ideas around about classical music.
This week on Intermezzo, host Christy L'Esperance is joined by violinist Jad Ibrahim, a senior studying at Interlochen Arts Academy.
Originally from Latakia, Syria, Jad picked up the violin at just seven years old. He was inspired by other young musicians who would later become his close friends.
Jad shares more about music lessons around the world and together with Christy they explore one of the violin’s most expressive techniques: vibrato.
What's vibrato? We asked Jad: “It’s moving the finger slightly up and down so the sound vibrates between being a little sharp and a little flat.”
The result? A "warmer tone" that brings the instrument closer to the human voice.
Jad explains that he often sings a piece in his head before playing it on the violin. Performances by violinist Yehudi Menuhin are some of Jad's top choices for vibrato technique and phrasing a melody.
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Hear Jad perform with his Interlochen Arts Academy ensemble, Trio Voci.
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Jad also credits hours of watching professional violinists online and trying to mimic their approach, especially when learning vibrato, which he describes as a key to musical emotion.
Vibrato taps into the vocal side of the violin. All types of singers use vibrato. Here are some great examples from soprano Maria Callas and Chrissy Hynde of the Pretenders.
And if you’ve ever wondered: Why do opera singers use so much vibrato? That’s your web bonus topic this week — go explore! Read "Why do opera singers use so much vibrato?"
Hear today's full episode by clicking "Listen" above and if you know the answer to to today's riddle — text the answer to 833.490.4718. By texting your answer, you agree to receive follow-up messages from IPR.
Christy L'Esperance is the host and producer of Intermezzo.
Thanks to our cohost Jad.
Scott Clemens is IPR's Digital Content Producer.
