Nate Chinen
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The recording made at NYC's Village Gate during the summer of 1961, when the John Coltrane quartet was joined by Eric Dolphy, was thought lost until it was discovered in the New York Public Library.
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In its Tiny Desk performance, the trio makes music strictly for the moment — creating a shared language in real time.
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Brian Blade's band makes jazz-inflected, gospel-rooted music suffused with a glowing consonance.
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Irreversible Entanglements gives Sun Ra's apocalyptic jam a heavy-gauge upgrade — shape-shifting in and out of a groove, but always rooted in the terrifying hypothetical at hand.
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This celebration honors this year's NEA Jazz Masters award recipients, including Regina Carter, Kenny Garrett, Louis Hayes and Sue Mingus. Watch live Sat, April 1, 7:30 p.m. ET!
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On their debut album, the improvisational supergroup — singer Arooj Aftab, pianist Vijay Iyer and bassist Shahzad Ismaily — try to answer a musical riddle: What does listening sound like?
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Ndegeocello doesn't conform to anybody else's idea of the celestial plane. When she sings of supernovas, she sounds like a witness.
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Rooted in the lineage of Black music, Younger interprets a tune by Dorothy Ashby, a pioneer of genre-bending harp.
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Don't be shocked by the 23-year-old jazz singer's breakneck rise from precocious college student to best new artist Grammy nominee. In those few years, she's been building three careers at once.
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At this year's awards on Sunday night, Beyoncé could become the artist with the most Grammys ever. She could also go down in history as the most snubbed.