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  • Almost 40 years ago, celebrated country singer-songwriter Tom T. Hall surprised his record label by creating a children's album, Songs of Fox Hollow. Now, Hall has teamed up with some of Nashville's independent roots-music scene to remake the time-tested classic.
  • Intrepid musical explorer Felix Contreras brought us back the best of what he found on vacation in California: Mexican-American bands like Los Hollywood and ¡Aparato!
  • http://ipraudio.interlochen.org/Caravan_of_Thieves.mp3Brad's Picks A band called Caravan of Thieves is performing at the Good Work Collective Thursday…
  • On a new album of covers, the songwriter and Broadway composer demonstrates how to look back without succumbing to nostalgia.
  • The vague but defiant proclamations in Smith Westerns' "All Die Young" exude charming naivete.
  • As the man behind Withered Hand, Dan Willson makes the sort of observations that used to stop Bible study classes in their tracks. "Religious Songs" is the ruler across the knuckles that inevitably followed.
  • Started in 2009, Night Markets use rented box trucks to create a cluster of outlandish art installations and performance venues that last just 24 hours. With attractions ranging from smash trucks to singalongs, they bring a feast of the unlikely and unseen to even the wildest of imaginations.
  • The Kansas City pianist's big band eventually became the Count Basie Orchestra, and his ensemble's style came to represent his hometown's sound. The blogger and the Boss Lady have a listen to his 1932 classic.
  • The Dwight Twilley Band scored its biggest hit, "I'm on Fire," in 1975, and then struggled for years to achieve stardom that never arrived. Now the band's lead singer, Twilley, is back. Rock critic Ken Tucker reviews his new album Green Blimp, which also features vocals by Susan Cowsill.
  • "Told You Once" is the kind of smart, idiosyncratic guitar-pop The Apples in Stereo's members have been making for 15 years now -- it's a paisley-colored romp about wanting to steal someone's girlfriend, with singer Robert Schneider mustering as much animosity as possible. Which is to say, none at all.
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