Lara Pellegrinelli
Lara Pellegrinelli is a freelance journalist and scholar with bylines in The New York Times and the Village Voice. She has been the commissioned writer for Columbia University's Miller Theatre and its Composer Portrait series since 2018.
Pellegrinelli began reporting locally in New York for WNYC and producing segments for its daily music talk show, SoundCheck. She has been a contributor to NPR's arts coverage since 2008, reporting stories that have been heard on Morning Edition, All Things Considered and Weekend Edition. From 2011 to 2014, she was the coordinator for educational outreach and audience development for NPR's Live from the Village Vanguard and wrote regularly for A Blog Supreme. In 2021, Pellegrinelli led a team of reporters in a data analysis of the NPR Music Jazz Critics poll, published on NPR Music as "Equal at Last? Women In Jazz, By The Numbers."
An ethnomusicologist by training, Pellegrinelli received her Ph. D. in music from Harvard University. Her dissertation, "The Song is Who? Locating Singers on the Jazz Scene," is the first ethnographic study of jazz singing. She currently teaches at The New School in New York City.
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Matthew Stevens has mostly moved on from his shelved debut recording — but one tune remains in rotation. He explains how Tony Williams and a certain pop hit influenced his unconventional "Emergence."
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The Shreveport, La. siblings talk growing up together and the lessons of gospel master Brady Blade Sr.
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The saxophonist explains why his band returns to a certain palate-cleansing, dairy-titled tune so often — and discusses his connection to its composer, long-time collaborator Ralph Alessi.
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In an era when some classical musicians are struggling, New York-based flutist Claire Chase, the founder of the International Contemporary Ensemble, is keeping very busy.
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Pressure cookers were once a common household appliance, but they fell out of favor in the U.S. as people turned to frozen dinners and microwaves.
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On Nov. 14, Hafez Nazeri will headline Carnegie Hall. The Iranian musician attracted attention for "Sounds of Peace," an East-meets-West program inspired by a progressive political vision. Or is it?
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As the British Invasion changed the landscape of the music industry, jazz musicians had to adapt to popular music written by the bands themselves instead of hired songwriters.
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The last year and a half hasn't been easy for the award-winning jazz pianist and composer, who spent months in a coma and almost died. But he has a new album out and is performing again.
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"Strange Fruit" can feel like a period piece, more a memorial than a protest song. Rare are the performers who have invested it with new meaning, fraught as it is with the legacy of America's past.
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This year marks the 70th anniversary of Blue Note Records, whose roster once included heavyweights Thelonious Monk and Horace Silver. Singers were a rarity, but Sheila Jordan has outlasted them all.