© 2024 Interlochen
CLASSICAL IPR | 88.7 FM Interlochen | 94.7 FM Traverse City | 88.5 FM Mackinaw City IPR NEWS | 91.5 FM Traverse City | 90.1 FM Harbor Springs/Petoskey | 89.7 FM Manistee/Ludington
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations

Julia Bullock: Tiny Desk (Home) Concert

The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.


Soprano Julia Bullock prefers to be called a "classical singer." It's a rather humble, even vague, appellation for one of today's smartest, most arresting vocalists in any genre.

She was just namedArtist of the Year by Musical America, who labeled her an "agent of change." Bullock, who also considers herself an activist, has shaken up the classical music world recently with provocative programming and expressive performances. You can witness just that in this extraordinary Tiny Desk (home) concert from Munich, Germany with pianist and conductor Christian Reif, whose sensitive playing seems to anticipate and enhance Bullock's every phrase. He also happens to be her husband.

Carefully choosing songs in German and English, Bullock begins with something bittersweet and introspective by Franz Schubert that cautions patience when looking for inner peace. She follows with "Wie lange noch" (How Much Longer), a World War II-era song by Kurt Weill. Written after Weill emigrated to the United States, the song contained coded messages for Germans back home. But Bullock has no time for secrets in these days fraught with uncertainty. The meaning behind her insistent cries of "How much longer?" as she stares straight through the camera, couldn't be more transparent.

The next two songs are a gut-punch of clear-eyed observation, struggle and hope. The spiritual "City of Heaven" finds a determined protagonist facing down sorrow, while Billy Taylor's "I Wish I Knew How it Would Feel to be Free," written at the height of the civil rights movement, speaks truth to power. At the very end, Bullock spins out a long flowing line on the word "free." It's among the most transcendent musical moments I've experienced this year.


SET LIST

  • Franz Schubert: "Wanderers Nachtlied II"
  • Kurt Weill: "Wie lange noch"
  • Traditional: "City Called Heaven" (arr. by Hall Johnson)
  • Billy Taylor: "I Wish I Knew How It Would Feel To Be Free" (arr. by Jeremy Siskind)
  • MUSICIANS

  • Julia Bullock: vocals
  • Christian Reif: piano
  • CREDITS

  • Video and Audio: Julia Bullock, Christian Reif
  • TINY DESK TEAM

  • Producer: Tom Huizenga
  • Video Producer: Maia Stern
  • Audio Mastering: Josh Rogosin
  • Associate Producer: Bobby Carter
  • Tiny Production Team: Bob Boilen, Kara Frame, Morgan Noelle Smith
  • Executive Producer: Lauren Onkey
  • Senior VP, Programming: Anya Grundmann
  • Copyright 2021 NPR. To see more, visit https://www.npr.org.

    Tom Huizenga is a producer for NPR Music. He contributes a wide range of stories about classical music to NPR's news programs and is the classical music reviewer for All Things Considered. He appears regularly on NPR Music podcasts and founded NPR's classical music blog Deceptive Cadence in 2010.