Elizabeth Blair

Elizabeth Blair is a Peabody Award-winning senior producer/reporter on the Arts Desk of NPR News.

Blair produces, edits, and reports arts and cultural segments for NPR's Morning Edition, All Things Considered, and Weekend Edition. In this position, she has reported on a range of topics from arts funding to the MeToo movement. She has profiled renowned artists such as Yayoi Kusama and Mikhail Baryshnikov, explored how old women are represented in fairy tales, and reported the origins of the children's classic Curious George. Among her all-time favorite interviews are actors Octavia Spencer and Andy Serkis, comedians Bill Burr and Hari Kondabolu, the rapper K'Naan, and Cookie Monster (in character).

Blair has overseen several, large-scale series including The NPR 100, which explored landmark musical works of the 20th Century, and In Character, which probed the origins of iconic American fictional characters. Along with her colleagues on the Arts Desk and at NPR Music, Blair curated American Anthem, a major series exploring the origins of songs that uplift, rouse, and unite people around a common theme.

Blair's work has received several honors, including two Peabody Awards and a Gracie. She previously lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.

RACHEL MARTIN, HOST:

It's International Women's Day today, and we are marking the occasion with a song that urges women to speak up.

(SOUNDBITE OF SONG, "QUIET")

CHOIR! CHOIR! CHOIR!: (Singing) I can't keep quiet. No, no, no. A one-woman riot - no, no, no.

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LULU GARCIA-NAVARRO, HOST:

Gains have been made for women and people of color who work in movies and TV, but the numbers remain a long way from proportionately reflecting the U.S. population, according to a new study from UCLA.

The annual Hollywood Diversity Report looks at diversity both in front of and behind the camera. It also looks at box office and ratings.

Veteran comedians know all about the funny side of anger.

The late George Carlin wrote an entire bit called "Free-Floating Hostility." Jerry Seinfeld once declared in the Los Angeles Times that "All comedy starts with anger."

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RACHEL MARTIN, HOST:

This story is part of American Anthem, a yearlong series on songs that rouse, unite, celebrate and call to action. Find more at NPR.org/Anthem.


Two years ago this week on the National Mall, amid a sea of pink hats, a piece of music suddenly went from speaking for one to speaking for many.

Updated at 8:15 a.m. ET Thursday

Jill Rorem, like many Americans, had made some special plans for the holidays. The Chicago native, whose legal work often brings her to Washington, D.C., was finally going to get to see the nation's capital with her arts-obsessed kids.

The vice president came to the Kennedy Center last night. That would be HBO's Veep: Julia Louis-Dreyfus.

The 11-time Emmy Award-winner was in Washington, D.C. to accept the Mark Twain Prize for American Humor. Plenty of big names in comedy were there to present it to her.

Julia Louis-Dreyfus grew up in Washington, D.C. She went to Holton-Arms School in Bethesda, Maryland, the same private high school as Christine Blasey Ford — the woman who accused Brett Kavanaugh of sexually assaulting her 36 years ago.

It was Tina Fey who first made the connection.

This week marks the one-year anniversary of the reporting, in The New York Times and The New Yorker, that led to the fall of movie producer Harvey Weinstein.

From that point on, the hashtag #MeToo was catapulted into a national movement. The #MeToo conversation now seems to be everywhere.

Oprah Winfrey at the Golden Globe Awards: "Take us to the time when nobody ever has to say 'me too' again."

A single mom who wears miniskirts is the scorn of a small town. Fifty years ago this month, the song "Harper Valley P.T.A." made singer Jeannie C. Riley the first woman to hit the top spot on both the pop and country charts.

The bugle call of taps. The swell of voices spontaneously joining to sing "We Shall Overcome." The urgency of "Fight The Power." Anthems are songs that tap into the collective emotions that listeners and performers have around an issue, whether it's joyful pride in one's country or rage over injustice.

For a lot of people, when they hear "fetch" and "Is butter a carb?" one thing comes to mind: Mean Girls. The 2004 movie was so influential that screenwriter Tina Fey and producer Lorne Michaels figured, why not a musical? Fourteen years later, it's opening on Broadway.

Our Take A Number series is looking at problems around the world — and people trying to solve them — through the lens of a single number.

In Huntington, W.Va., the number is 10. As in, the rate of babies born with a drug dependency there is 10 times the national average.

It's a number that shows the magnitude of the opioid crisis in this blue collar city. It's also one of the numbers that has prompted two very different people in this community to say, "Enough."

In a small conference room in Washington, D.C., a handful of lawyers and paralegals — most of them in their 20s — process applications coming in to the Time's Up Legal Defense Fund.

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ARI SHAPIRO, HOST:

Edwin Hawkins' "Oh Happy Day" was an accidental hit. The song, a gospel-style rework of an 18th century hymn, starts with a jazzy drum beat and a kind of blues pop piano groove. Dorothy Morrison, who sings lead on the recording, remembers at first, the pop feel got a lukewarm reception from the church.

"At first the reaction was, 'Well, we're not sure,' " Morrison says.

Dozens of powerful men, including two at NPR, have lost their jobs and reputations in the cultural reckoning that is the #MeToo movement. Clearly, there's tremendous momentum behind it, but where does it go from here? Do those men have a shot at redemption?

Millions of people have read Munro Leaf's The Story of Ferdinand since it was first published in 1936. Two years later, Disney turned it into it an Oscar-winning short film. Now, the peaceful bull who prefers sniffing flowers to bullfighting is getting an update from 20th Century Fox. And that bull has been on quite a journey to get here.

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STEVE INSKEEP, HOST:

The 40th Annual Kennedy Center Honors were a chance to celebrate among others a dancer, a rapper and a TV-sitcom pioneer. Here's NPR's Elizabeth Blair.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

KELLY MCEVERS, HOST:

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ROBERT SIEGEL, HOST:

The Route 91 Harvest festival, the target of last night's shooting, is one of country music's biggest events. It's nicknamed the neon sleepover. The three-day event attracts big-name artists and more than 20,000 fans. NPR's Elizabeth Blair has more.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

Natasha, Pierre and The Great Comet of 1812 was supposed to be the next Hamilton. It was going to invigorate Broadway and attract younger and more diverse audiences — and it almost succeeded. Instead, it's closing on Sept. 3, in part because of a controversy over casting and race.

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KELLY MCEVERS, HOST:

The third and final movie in the "Planet Of The Apes" trilogy opens today. In this retelling of the original movies, the apes are in an epic battle for their survival.

(SOUNDBITE OF FILM, "WAR FOR THE PLANET OF THE APES")

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