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With electro-cumbia, porro, and bullerengue rhythms, Miss Colombia takes a thread and needle from Lido Pimienta's heart to a country that doesn't always love her back.
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"I went through a breakup of a 15-year relationship. And my therapy on an everyday basis is to go in and write songs," Brandy Clark says of her string- and horn-laden album, Your Life is a Record.
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Bob Dylan's Rolling Thunder Revue occupies a mythic place in the history of rock tours. Stream a 10-track sampler from the 14-disc box set.
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On its first album in six years, the instrumental metal band has produced its most vulnerable yet overwhelming work to date.
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Fueled by collaboration and connection, Midnight propels Stef Chura into her boldest, most fully-fledged work, yet. Car Seat Headrest's Will Toledo produces.
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On his debut album, Ian Noe captures his Eastern Kentucky small town with a sad, often heartbreaking brilliance.
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Lee "Scratch" Perry teams up with producer Adrian Sherwood to conjure the dub master's swampy atmosphere.
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Flor de Toloache reimagines pop covers (No Doubt, Bee Gees) and offers up collaborations with Miguel, John Legend, Alex Cuba and Las Migas.
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K. Ishibashi has kept many instruments and techniques at his disposal over the years, but the language he speaks is one of profound empathy.
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Cradled in his homespun warmth, Justin Townes Earle's husky drawl feels like the darkness before the dawn.
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Mavis Staples is a living embodiment of gospel music's place in the civil rights movement, but We Get By Proves that she's no static symbol of the past.
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These are songs that rip through time, across borders and into psyches with feminist post-hardcore that engages at it rampages.