Lourdes Garcia-Navarro

Lulu Garcia-Navarro is the host of Weekend Edition Sunday. She is infamous in the IT department of NPR for losing laptops to bullets, hurricanes, and bomb blasts.

Before joining the Sunday morning team, she served as an NPR correspondent based in Brazil, Israel, Mexico, and Iraq. She was one of the first reporters to enter Libya after the 2011 Arab Spring uprising began and spent months painting a deep and vivid portrait of a country at war. Often at great personal risk, Garcia-Navarro captured history in the making with stunning insight, courage, and humanity.

For her work covering the Arab Spring, Garcia-Navarro was awarded a 2011 George Foster Peabody Award, a Lowell Thomas Award from the Overseas Press Club, an Edward R. Murrow Award from the Corporation for Public Broadcasting, and the Alliance for Women and the Media's Gracie Award for Outstanding Individual Achievement. She contributed to NPR News reporting on Iraq, which was recognized with a 2005 Peabody Award and a 2007 Alfred I. duPont-Columbia University Silver Baton. She has also won awards for her work on migration in Mexico and the Amazon in Brazil.

Garcia-Navarro got her start in journalism as a freelancer with the BBC World Service and Voice of America. She later became a producer for Associated Press Television News before transitioning to AP Radio. While there, Garcia-Navarro covered post-September 11 events in Afghanistan and developments in Jerusalem. She was posted for the AP to Iraq before the U.S.-led invasion, where she stayed covering the conflict.

Garcia-Navarro holds a Bachelor of Science degree in International Relations from Georgetown University and an Master of Arts degree in journalism from City University in London.

At the Vdara Hotel and Spa in Las Vegas, robots are at the front line of room service. "Jett" and "Fetch" are delivery robots, designed to look like dogs, each about three feet high.

They can bring items from the hotel's cafe right to your room. Among their many capabilities, they can travel alone across the lobby, remotely call for an elevator, and even alert guests when they arrive at their hotel room through an automated phone message.

Over two decades ago in 1997, when violinist Hilary Hahn was 17, she made a celebrated recording debut, Hilary Hahn Plays Bach. That year, Hahn told NPR about her enthusiasm for Bach's music.

"There's nothing I really wanted to record more than Bach," Hahn said. "I can work on it for a long time and keep discovering more things that surprise me every time."

The word "first" comes up a lot when talking about the latest album from Cat Power. It's the singer's first in six years, her first since giving birth to a son (notice his forehead peeking out on the album cover) and her first since leaving Matador, her longtime record label. But one thing is not new: As is often the case with Cat Power's music, this collection is spare and emotional.

For all the talk of how Democrats running for re-election in states President Trump won are a protective shield for Senate Republicans, Nevada's Dean Heller has the opposite problem.

He is the only Republican senator up for re-election in a state that Democrat Hillary Clinton won in 2016. The candidate challenging him for the seat is Democratic Rep. Jacky Rosen. "Right now, the Republicans have all three branches of government," Rosen said. "So what we can do is try to hold their feet to the fire every way we can, because we don't have the votes to win."

In the days leading up to the November 2016 election, I taped an episode of Alt.Latino that was intended to be a musical healing session. For just about everyone in the country, the campaign season was rough ride and I had created a healing playlist for myself, which I then decided to share.

Sarah Smarsh grew up in rural Kansas — the fifth generation to farm the same land, riding tractors where her ancestors rode wagons. There was never enough money and prospects were few. She was part of the what has become popularized as the white working class. But back then, she didn't know it.

Diana Evans' new novel is about two couples who — as John Legend sang — are "right in the thick of love."

Evans took her title, Ordinary People, from Legend's song. The whole album Get Lifted, she says, "is very narrative" as it tells the story of "what can happen in a long-term relationship."

Like their counterparts across the country, Wisconsin Democrats eager to win back the House and make gains in the Senate have been watching primary election voter turnout with bated breath. This week, they found reason to be hopeful: turnout in the state's primary on Tuesday soared to its highest level since 2002, with a surge in Democratic votes.

Janet Clark hopes to keep her dairy farm in the family. She inherited Vision Aire Farms from her parents, and now runs it with her younger brother.

The farm is idyllic, tucked away amid rolling green hills of corn and sunflower fields. One side of the farm holds a line of calves. They are individually fed by Clark's children and their cousins, playfully holding milk bottles for them to drink.

David Joy's new novel The Line That Held Us begins with a terrible accident.

Darl Moody is looking to poach a deer in the woods, when he accidentally kills another man — Carol Brewer, who is himself poaching for ginseng roots. Both are "working-class rural people who are just kind of doing what they have to do in order to survive," as David Joy says in an interview.

There's a type of orchid that resembles a female wasp. And in rare occasions, it will attract a male wasp to pollinate the flower.

That's the image on the cover of Caoilinn Hughes' new book, Orchid and the Wasp. But the relationship represents something heavier in Hughes' novel.

"So I was using this as a way to explore the relationship between the exploited and the exploiter," Hughes says. "And ask the question is it really exploitation if the loser isn't aware of what they're losing?"

Suspense writer Megan Abbott has been busy lately. She's been writing for HBO's The Deuce, and adapting two of her own books for television.

This week, her most recent novel, Give Me Your Hand is out — it's the story of two young, brilliant, female scientists named Kit and Diane. The two women were friends in high school, but when Diane shares a dark secret, the friendship is torn apart.

This converted schoolhouse still chirps with the sound of children. A volunteer teacher points at her eye and elicits the English word: "¿Cómo se dice 'ojo'?" she asks the group of 6- to 10-year-olds.

They hesitate and look at one another until one of them gets it, and they join in a collective scream: "Eye!"

It feels like a bit of normalcy for this group of Central American children who fled their home countries and are temporarily living in a family shelter in Mexico City.

On March 16, 2017, Albino Quiroz Sandoval popped out of the house around 5 p.m. for a little trip to the shop. The 71-year-old lives in Tepoztlán, a small colonial town with little crime, a weekend getaway from hectic Mexico City. Quiroz had been a public school teacher for 48 years. Everyone knows him.

By 8 p.m., he wasn't home. His family grew worried. His son Juan Carlos Quiroz, who was a 90-minute drive away in Mexico City, got a frantic call from his sister.

"We didn't know what to do," Juan Carlos recalls. "My sister and I thought it could be a kidnapping."

Mexican actor Diego Luna first shot to fame in the United States after 2001's Y Tu Mamá También. Since then, he's starred in a handful of blockbusters — including, recently, Rogue One: A Star Wars Story — and he's about to play the leader of a drug cartel in the upcoming season of Netflix's Narcos.

Luna could have happily continued to live a successful life in Hollywood, but he missed Mexico. At a café near his kids' school in Mexico City, he explains why.

The NPR Music Tiny Desk Contest may be over this year — NPR Music was proud to award the honor this year to Naia Izumi — but Weekend Edition isn't done highlighting the impressive talent who entered this year's contest.

What does it take to become an American? In 2015, This American Life told the story of a Somali refugee who was finally issued a visa to come and live in the United States. "This big smile was on my face. I've never had such a big smile," Abdi Nor Iftin said at the time.

The #MeToo movement has been a cultural reckoning across industries, from Hollywood to restaurants — but one of the oldest that's been affected is classical music. In March, James Levine, a longtime conductor of the Metropolitan Opera in New York City, was fired for allegations of sexual misconduct. And now, centuries-old works from Carmen to Don Giovanni are being challenged for misogynistic plots and themes.

Bernard "Pretty" Purdie is on the shortlist of the hardest-working drummers in the history of recorded music. The list of artists he's worked with, on the other hand, is quite long: Duke Ellington, Count Basie, Dizzy Gillespie, Lloyd Price, James Brown, Steely Dan — on and on stretching back to 1962. On many of those recordings, you can hear a triplet rhythm that's come to be known as the Purdie Shuffle.

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